OVERCOMING FRUSTRATION IN THE YOUNGEST PIANO STUDENTS
I have one simple solution: don’t let it happen. You have to be so clever that the child never really enters the piano frustration zone fully. As soon as you see them step across that threshold, you have to quickly figure out what it is that they need to know.
As soon as you see them falter, you should realize that they are either not prepared for the step, or have not repeated it enough to grasp it. In the first case, you need to prepare them for the task. In the second case, you need to find a way to disguise the repetition and make it fun.
Think of a sheep dog. They watch both the herd and the fringe of the herd, looking for anyone that starts to wander off.
You must do the same, watching always for what they DON’T understand, but never letting them know they haven’t got it.
The child’s deficiency at the piano serves one purpose: to tell you what to teach, not what to punish them for.
Done properly, piano lessons are a set of cleverly constructed victories into which the teacher has gently led the child.
The only question is, “How high the hurdles?” but that is easily answered with each individual child. You can feel when a child starts to lose understanding. When that happens, pull back.
Here’s an example of how to set the hurdles:
Today I taught a bright 5 year old. Her can’t really figure out the complexities of reading music beyond finding Middle C, and this is a bright boy. And he can’t comprehend fingering beyond the first three fingers of the hand, which he can barely control.
I could push him, but if I do, I feel him shrink back, trying as best he can to keep up, but just not ready.
What do you do? If he can’t read music or understand fingering, there’s not much left you can teach him, right?
Wrong. You should change direction and teach every precursor skill you can find.
We play memorization games, fingering games, counting games, listening games, an endless list of skills that need to be filled in before he can really start the “standard” curriculum.
Thus, realizing that the child needed “precursor” work, we switched course immediately, and solidified those skills until he is ready. He wants to learn NOW, and you should find a curriculum that suits his immediate needs.
After all, it’s the child’s piano lesson, not yours.
By John Aschenbrenner Copyright 2010 Walden Pond Press All Rights Reserved






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